So explain something to me.
Why is this…
…provoking, complex, and transgressive, while this…
…is just jokey and sophomoric?
Is it the source material? The singers? The performance?
Or am I wrong about one or both?
So explain something to me.
Why is this…
…provoking, complex, and transgressive, while this…
…is just jokey and sophomoric?
Is it the source material? The singers? The performance?
Or am I wrong about one or both?
4 comments
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December 19, 2010 at 9:57 pm
James Logan
Sorry, off topic. Tried to email you, but gmail kept telling me the given address on the site is ‘not recognized’.
Would you please comment on Net Neutrality? There’s a vote upcoming on the 21st. If you’ve already done that, then please ignore. Thank you. For more, go here on the 21st:
Watch the vote on Net Neutrality: http://www.SavetheInternet.com/FCCmtg
December 20, 2010 at 12:20 am
chris902
Is the Nina Gordon one supposed to be artsy and transgressive? Is just sounds gimmicky and kind of poorly done.
This shtick was done a lot better by a pop punk band a decade or so ago:
Basically the exact same thing Gordon is doing only before the youtube era of the internet. (Of course the Dynamite Hack song was huge for a month or so if I remember correctly)
Not only is it not deep, it’s also derivative.
December 20, 2010 at 10:18 am
Angus Johnston
Actually, Chris, the Dynamite Hack version is much more similar to the Coulton than the Gordon.
December 20, 2010 at 3:27 pm
chris902
I guess my point was that I don’t actually see any substantive difference between those three songs. I find them all to be gimmicky and not particularly interesting and certainly not transgressive.